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"I am afraid you are right," says Mona. "Oh, why did you come over at all?" Nicholas is looking angry. Jack, sinking into a chair near Violet, says, in a whisper, that "it is a beastly shame his mother cannot let Mona alone. She seems, by Jove! bent on turning Geoffrey against her." "All that is morbid," says Mona: "you should try to conquer it. It is not healthy.".
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Perhaps, could she only know how charmingly becoming this style of headdress is to her flower-like face, she would not have blushed at all. "You will introduce me to your wife?" she asks, after a few minutes, in her even, trainante voice, and is then taken up to the big arm-chair before the fire, and is made known to Mona. For many days he had not known "that his heart was darkened with her shadow." Only yesterday he might perhaps have denied his love for her, so strange, so uncertain, so undreamt of, is the dawning of a first great attachment. One looks upon the object that attracts, and finds the deepest joy in looking, yet hardly realizes the great truth that she has become part of one's being, not to be eradicated until death or change come to the rescue. "Good-by, my—my beloved—cousin," he says, in a choked voice. I think the last word is an afterthought. He is tearing himself from all he holds most sacred upon earth, and the strain is terrible. He moves resolutely a a few yards away from her, as though determined to put space between him and her; yet then he pauses, and, as though powerless to withdraw from her presence, returns again, and, flinging himself on his knees before her, presses a fold of her gown to his lips with passionate despair..
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